Adults learn sinte rhythm and make right/left stars

In this week’s adult djembe workshop, we learned a new rhythm called “sinte.” This was the most complicated pattern yet, and there were lots of different parts to remember. Here, have a listen:

We sped it up at the end, and it sounded great! A few of us were moving/dancing while playing, and I spied some of the kids outside unable to resist dancing too 🙂

Dance class was more difficult this week as well. First we reviewed our sean-nós steps (including the basic step, heel toe step, and heels/hips step) and I wore my hard shoes (similar to tap shoes, but with fiberglass tips and heels instead of metal) so that everyone could hear the rhythms better.

Our céili dance this week was the Siege of Carrick, which starts with a circle to the left, then has a right and left star, and then a complicated “up and down the center” figure that requires a good sense of space to avoid colliding with your neighbors. We’ll polish up this dance next week before posting videos of it!


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Budding choreographers create their own céili dance at Lookout

This afternoon at Lookout Primary School had its highs and low. The drumming class started off well, and the students seemed to be enjoying the rhythms, and they even started spontaneously singing along while they played! Unfortunately, their behavior got a little out of hand and we had to end the class early. Discipline and respect are an important part of the class, so they’ll have another chance next week to prove that they can focus and follow instructions.

The dancers, however, were wonderful today! When class started, they asked if they could show me a céili dance that they created themselves over the past week. Can you believe it? Just a few weeks, and they’re already choreographers! They took figures that we’ve done in class before and combined them in their own unique way, even adapting the figures for larger numbers of dancers to fit just four people.

This spark of creativity was so thrilling that I was inspired to add on some more difficult movements. We added some complicated arm movements that are common in “2 hand” or “3 hand” Irish dances. We also incorporated the “do-si-do” from American contra dancing or square dancing, and I gave them the option of spinning while do-si-do-ing, so they were introduced to “spotting” to avoid getting dizzy.

One girl was doing a sort of Charleston step during breaks, so we threw that into the mix as well. We’re getting quite eclectic up in Lookout!

At the end of class, I had to take a minute to thank the girls for their attention and creativity. I don’t take it for granted that they have been showing such initiative and interest, and I am truly appreciative. This is very promising for St. Patrick’s Day coming up in a few weeks!


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Kilkenny, er, Little Bay Races

Today we were outside again with St. Augustine School at Little Bay Field. It was a beautiful sunny day, so the drummers set themselves up in the shade, but the dancers had to deal with the hot sun. Luckily there was a sprinkler nearby so we could cool off every once and a while!

We made use of the the track lines this time and had some races across the field doing “skip 23s” (straighten out those legs!) and “over 23s” (jump high and kick your butt!). The “over 23s” were new this week because we’ve never had enough to space to work on them properly. They’re difficult to get the hang of, but lots of fun to fly through the air.

In Irish dance, there is a dance called “Kilkenny Races,” so I’m calling today’s exercise “Little Bay Races” 🙂

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The dancers also worked on another céili dance, incorporating the bridge from last week, as well as the salsa step. But this time, we first did the “Irish” version of the step (with straight hips), and then we spiced it up to do the “salsa” version (with hips).

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At the end of class, the girls wanted to do “real” bridges, so we worked on some back flexibility. Shay-Reese here has a great bridge, and she was even able to kick over with some help!

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The drummers reviewed the assiko rhythms and other breaks from previous weeks. At this point, we’re trying not to add too much because the performances are coming up soon. St. Patrick’s Day is one month from today, so it’s time to start polishing things up!


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Palms, heels, and a lot of swinging in adult classes

Our hands got a workout on the drums as we reviewed the sounou rhythm from last week and then put together a long string of patterns from the kassa rhythm family. A real test of memory! It requires careful listening to the breaks and attention to the subtleties of the rhythm. I know my palms were burning and my wrists were getting tired, but that can only mean progress, right?

Then we gave our hands a rest and focused on our feet in Irish dance class. We reviewed the basic step from sean-nós and then learned a new step with lots of heels and lots of toes. After a short water break, we introduced a new Irish dance style: set dancing, which is a social dance similar to square dancing or quadrilles. We had five couples instead of four, so we adapted a combination of set dance figures to make the dance work with any number of couples.

This was the first time we really got to swing a lot, and I made sure everyone had a chance to feel the momentum by swinging with each student one at a time. At first it can make you really dizzy, but once you master the control (and remember to breathe!), it’s so much fun! Eventually we’ll incorporate this sense of speed and momentum into the “Christmas” figure, when we get into a tight circle and spin around as fast as possible.

After class yesterday, one of our students told us that she always feels happy after drumming and dancing, and that the feeling lasts her the rest of the week. We love that kind of feedback! We’re so happy that people are enjoying the workshops as much as we are 🙂


Dominique provides individual hands-on help on the drums to help with technique, and Kate dances with each student individually so they can experience the thrill of a fast set dance swing:

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correction: the video says “assiko,” but we were actually playing kassa breaks

Rhythms and waves at Lookout

Today we continued with some assiko rhythms in drumming class, and there were fewer students now that the Brades kids are back in their usual location (we’re coming to you on Friday!) so everyone was able to focus more. We even had to play the rhythm one at a time! The kids did a great job echoing the rhythm back.

The Irish dance class also worked better with fewer students, and we were able to get through a céili dance with advance/retire, switching places with 7s and 3s, right and left hand turns, and the always difficult “waves” from the Waves of Tory dance. There were some collisions (as expected), but we finally got it!

The important thing to remember is that social dancing is a team activity, so even if someone messes up, we have to keep going and we can fix any problems the next time. There’s no time or space for doing your own individual thing, so it’s important to be considerate of others at all times. And be patient with each other!


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Adults get into the sounou and jig groove

Yesterday the adults reviewed some assiko (aka “highlife”) rhythms from last week and also added on some new patterns in the same family. We learned a long break as well, so there was a lot of memory involved! Things are getting more complicated, but the challenge is good and everyone seems up to it. The students seem more comfortable with the drums now and there seem to be fewer sore hands as the weeks progress.

The sounou rhythm was also introduced, which is a bit of a brain pretzel because it requires alternating right and left hands. It’s okay when it’s slow, but once you speed it up…!

The sounou has a nice swinging quality to it (it sounds almost like a waltz to me), which segued nicely into the Irish dance lesson for the day: introduction to the jig. The jig is in 6/8 time, which works well with what sounds like the 3/4 time of sounou. (I’m not entirely sure of the time signature of sounou, but that would be my guess.)

Students were introduced to the rising steps of the jig: rise & grind and sink & grind. These are hard steps to master, so we’ll be reviewing them more in the coming weeks.

The Haymaker’s Jig was the céili dance for this week, which incorporates the rising step. There are some complicated figures, especially the “weaving” down the line figure, but there was much less chaos than expected. This dance could be a contender for a St. Patrick’s Day performance?



Blending rhythms in the fresh air

Today was “sports day” for St. Augustine School, so we met the students at Little Bay field instead of at the school.

Luckily the rain held off and it was a beautiful afternoon! This was the first time that we had the drumming circle right next to the dancing circle, so it was a good opportunity to try “blending” the rhythms. While the drummers played, the dancers inched closer and closer so they could hear the rhythm better. It wasn’t easy, especially when the drumming sped up–it required some fast feet! We have a few weeks to practice before we start blending the classes for real.

Talent in both groups is really starting to shine, and now at St. Augustine we are also getting a few “cross over” students who are participating in both dancing and drumming.


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Today Kate also explained her Irish claddagh ring to some of the girls: the hands represent friendship, the crown represents loyalty, and the heart represents love. Friendship, loyalty, and love!

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Adult djembe and céili classes lead into an impromptu masquerade dance jam

We had good numbers at the adult drumming and dance classes yesterday evening, and it’s great to see that we have regulars who come every week (and are showing real progress!) as well as new faces.

We learned some new djembe rhythms (including lamba and assiko, or “high-life”), and this week we were under a bit more pressure, as each student had to play a (difficult!) rhythm pattern alone! It’s easy to play when the rest of the group is backing you up, but you really have to confront your own mistakes when playing solo. A hard but valuable lesson!

We also reviewed some sean-nós (“old style”) steps from last week, breaking down the footwork in more detail. The “basic” step is actually one of the harder steps, but once you’ve mastered it, anything is possible.

We ended with a fun céili dance called “The Waves of Tory,” which is a good interactive social dance that progresses down the floor. There were a few minor collisions, but what fun would it be without them?

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After the workshops, everyone gathered outside the school building in the basketball court. People were still dancing “skip 23s” around, and this eventually morphed into Montserrat’s masquerade dance! Some of the students are in the Ladies of Alliouagana masquerade troupe here in Montserrat, and they showed just how similar some of the steps are to Irish dance: there is a similar 3-count step, as well as a heel/toe step. Dominique pulled out his djembe and gave us a beat while we danced masquerade!

This kind of “trading” of steps and rhythms is exactly what these workshops are all about: the intersection of Africa, Ireland, and Montserrat.



Adults djembe class


Adults djembe class (audio)


Adults dance “The Waves of Tory”